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Interview 9

Aerosmith MTV Icon I "In The Beginning..." - date unknown

Source: http://www.mtv.com/bands/a/aerosmith/news_feature_041702/index2.jhtml

In The Beginning ...

Steven Tyler: When I met Joe Perry I was in this band called the Chain Reaction. We were a cover band, we had "Wooly Bully" down, we were playing at a place called the Barn. We went and ate at this restaurant, the Anchorage, and I'd order my French fries with my cheeseburger and I'd smoke a nice Marlboro along with that. And the French fries were brilliant, they were great. They were crispy, delicious, thick. I asked, "Who made these?" Well, this guy in the back. I said, "Can I meet him? Bring him out." They didn't. So I went back. And there he was. Joe Perry. Short hair — well, kind of long for the time, but not like I liked it — black horn-rimmed glasses with tape (mouths "with tape" again).

Three years later, I was mowing the lawn, I get down toward the bottom, and this MG pulls up. And it's Joe Perry. That same guy, with hair down to here. (motions to his waist). Like the Pretty Things. Horn-rimmed glasses, just hair waving in the car. "Yo dude!" I said. "Hey man, what are you doing?" "Oh, I'm in this band, I'm playing over at the club," he said. I said, "Wow, great, maybe I'll come see you tonight." He goes, "Yeah, come."

[Later at the show] I thought, if I can get my melodic sensibility in with this f--- all, this music that is just pure feeling, we'll have something. Thirty years later we got Aerosmith.


Joe Perry: Steven Tyler was kind of the local hero because he had the song on the jukebox at the hamburger place where I worked. And Tom [Hamilton] and I heard about him and he'd come up every summer with his band and play.

I remember them coming into the place where we worked ... it was kind of a soda fountain hamburger place, a summer kind of place. I used to do everything from sweep the floor to scrub the grill to make the fried clams and French fries. So I was working out back and they came in one day, him and his band. I guess that's how you were supposed to act when you had a rock band — dress like you came from Greenwich Village and be kind of loud. He's three years older than me, and when you're 16 or 17, that's a big difference, especially when he'd been in the recording studio and his band sounded great. His reputation preceded him. So when he came in he was clowning around, I remember they were sitting at a table down at the other end of the place and throwing food. I had to clean it up when they left.

Tom Hamilton: We used to play at the Barn. And the Barn was the Holy Grail. If you were in a band then, you wanted to play the Barn. It was the place where supposedly a lot of really bad things went on that your mother wouldn't want you to do. So of course we wanted to be there. And Joe and I had a band with a friend of ours named Pudge. Steven was a summer kid. He was from New York. He was in bands that were unbelievable. We used to sneak in to see them play at places that would just be so sold out, there wasn't a chance of getting a ticket. And they did their own songs, they did cover songs ... they covered Beatles and Stones songs and Yardbirds songs, and did them probably better than the original band. So here was this guy that everyone just assumed was going to be a monster someday. And in the meantime, Joe and I were listening to the Who, Ten Years After, Beatles, Stones, Yardbirds, Cream, Hendrix — just our total guitar heroes. And we would get up onstage and try to be that. As far as harmonic theory, and whether the notes were right, we weren't that worried about it. We were just worried about playing loud and fast.
Tyler: I was called n----- lips at school. Remember, high school for me was the '60s, the '50s. I was a white boy with these big lips, so all the kids on the block made fun of me. My mom said, "All the better to kiss the girls with, so don't listen to 'em." Um, shut up.

I was always over-amping on something because I was so excited. I'd be out playing ball in left field looking for bugs and crushing ants and missing the high balls. No one ever had any faith in me. My mom did, school didn't. Never got math. Didn't get anything but choir and gym. I felt like music was my only outlet.


I grew up in a small tenement apartment on the sixth floor — the apartment was the size of a postage stamp. And my father had a grand piano and two chairs and a TV, and I grew up wanting to go outside, but I couldn't, so I sat under the piano and listened to him playing Brahms. And wanting to go see the girl downstairs, but I couldn't, 'cause I was six. So I took all those emotions and stuffed them and listened to classical music. So I always took what I was told I couldn't do and threw it into music. "You'll never make it," my father would say, "you've gotta have something to fall back on." But there never was a whole lot of support from school on, so it was always, "I'll show you." Even to this day. My favorite saying is, "You'll miss me when I'm quiet."

Perry: All the guys in the band lived in one house together. Every room in the house was a bedroom, except the kitchen. So every room also doubled as something else. Tom's room had the piano in it. We weren't unlike so many other kids coming into Boston for school with so much idealism and being away from home for the first time, and living with a bunch of roommates, and seeing who you could meet ... who liked your kind of music, who else was in town, what other bands were playing. That's really what it was about. The only thing was, we didn't go to school. We partied. We were, hopefully, the band you came to hear to party and listen to. It was around the clock, pretty much. You never knew who was going to walk through the door next.

Hamilton: As the songwriter, Steven was very demanding about the dynamics: when it was loud, when it was quiet, when it crescendos. And at first it felt to me like too much technical stuff to learn. I just wanted to turn up the bass and pound on it. I never really cared about vocals until I was in this band. I always thought vocals were there so the girls would listen.

Brad Whitford: We fought always about the volume — every day at rehearsal, every show we did. It's too loud it's too loud it's too loud. And it probably was. The amplifiers were better than the PAs and the monitors. And it made it very difficult for Steven to have to sing in that environment. And we would have a lot of fights about it. Furniture would get thrown around the room. Joe and I might say, "Oh, it's not that loud," when we knew it was pretty loud.




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